Black-and-white portrait of the photographer in a mirror. The high-contrast light cuts er face in two, with an overexposed side on the left and a shadowed side on the right. The composition is very graphic, with parallels tilted to the right. The ceiling is made of concrete, and the atmosphere is sombre, with the room plunged into half-light, the harsh light cast by the window on the right and the inexpressiveness of the face.